Friday, May 20, 2016

Classic of Poetry

The umbrella term “education” has taken on many shapes and sizes throughout recorded history. I hasn’t always been long lines of uncomfortable desks with plastic chairs made in the pits of hell. There have been, and continue to be places, where education has been carried on through oral traditions. In fact a majority of historical education has been purely through cultural modes of conveyance; for example poetry. In classic Chinese poetry all one needed to know, or so they said, was written among the lines of eloquently composed poems. There are poems helping to incite social order, those displaying traditional familial roles, others giving a sense of historicity to a powerful group of people and even the structure of the poems themselves helped aspiring poets and readers (both past and present) to bathe in their unique construction and elegant styles. Education, for an untold amount of souls, was to be found in the Classic of Poetry.

Many of the original author’s names have been lost to history and a great number of works have been honorably attributed to Confucius. As stated in the Norton Anthology of World Literature, “Confucius believed that political order depended on the ability of individuals in society to cultivate their moral virtue and thus contribute to social order” (“Classic of Poetry” 756). Throughout many of the works varying cultural niches are displayed giving all facets of society routes in which to help the society in which they live. This use of “feng” allows poetry to sway the opinions of those who are the poem’s audience (757). One such cultural norm displayed throughout many works is the role of a young woman.

One example can be found in “VI. Peach Tree Soft and Tender,” in which a young woman goes from being a blooming bride to a mother and progenitor of future generations. The initial stanza uses the images associated with springtime blossoms and a beauty that is fresh and fertile. This is followed by a tree beginning to bear fruit (an allusion to children) and finally “[her] leaves begin to spread thick and full” (“Peach Tree Soft and Tender” 760). In the final stanza we see her family tree branching further and further out into the future. The values shown here are that women were needed and expected to be the “soft and supple” peach tree of familial life; as they married, made and raised babies, they honor their home and family (760). By first blooming, then bearing fruit, then being the strong tree holding up the rest of the family a woman was capable of fulfilling her role in the family and in the world.

Other types of moral lessons can be found in “CCXLV. She Bore the Folk” in which we are able to see the birth of a tradition, the inherent goodness of hard work, and the roles of men and women through the birth and life of Lord Millet. It’s important to note that this work is also closely tied to the ancestry of the Zhou clan which also helps to create a social cohesion of sorts (758).  The use of rhetorical devices is imperative in legend establishing longer works such as “She Bore the Folk”.

The works created their own styles effectively using a certain style of rhetoric in order to create cultural adherence to acceptable values and ideas; one important mechanism was enumeration. “Enumeration [is] the telling of sequences of events in a straight forward narrative fashion” (758). By utilizing rhetorical tools such as this authors and readers could mimic or expound upon standards already set. Although not everyone was capable of reading these works there was still a large significance to their oral power as well.

These poems have lived on for over 1300 years and have influenced common people and prolific poets since their creation, Ezra Pound being one of the most notable in contemporary times. These works, some now nearing their 3000th birthday, are still alive both in their native land and all across the globe; a true testament to their skill and ability to give some insight into the past and the human condition.

Works Cited:   

Puchner, Martin Et. Al.. “Classic of Poetry” The Norton Anthology of World Literature: Shorter Third Edition. Two-Volume Set. W.W. Norton. Ed. M Puchner. 2013. 756-766. Print.       

“VI. Peach Tree Soft and Tender”. Classic of Poetry. The Norton Anthology of World Literature: Shorter Third Edition. Two-Volume Set. W.W. Norton. Ed. M Puchner. 2013. 760. Print.  
   

“CCXLV. She Bore the Folk”. Classic of Poetry. The Norton Anthology of World Literature: Shorter Third Edition. Two-Volume Set. W.W. Norton. Ed. M Puchner. 2013. 756-766. Print.       

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