The umbrella term “education” has
taken on many shapes and sizes throughout recorded history. I hasn’t always
been long lines of uncomfortable desks with plastic chairs made in the pits of
hell. There have been, and continue to be places, where education has been
carried on through oral traditions. In fact a majority of historical education
has been purely through cultural modes of conveyance; for example poetry. In
classic Chinese poetry all one needed to know, or so they said, was written
among the lines of eloquently composed poems. There are poems helping to incite
social order, those displaying traditional familial roles, others giving a
sense of historicity to a powerful group of people and even the structure of
the poems themselves helped aspiring poets and readers (both past and present)
to bathe in their unique construction and elegant styles. Education, for an
untold amount of souls, was to be found in the Classic of Poetry.
Many of the original author’s names
have been lost to history and a great number of works have been honorably
attributed to Confucius. As stated in the Norton Anthology of World Literature,
“Confucius believed that political order depended on the ability of individuals
in society to cultivate their moral virtue and thus contribute to social order”
(“Classic of Poetry” 756). Throughout many of the works varying cultural niches
are displayed giving all facets of society routes in which to help the society
in which they live. This use of “feng” allows poetry to sway the opinions of
those who are the poem’s audience (757). One such cultural norm displayed
throughout many works is the role of a young woman.
One example can be found in “VI.
Peach Tree Soft and Tender,” in which a young woman goes from being a blooming
bride to a mother and progenitor of future generations. The initial stanza uses
the images associated with springtime blossoms and a beauty that is fresh and
fertile. This is followed by a tree beginning to bear fruit (an allusion to
children) and finally “[her] leaves begin to spread thick and full” (“Peach
Tree Soft and Tender” 760). In the final stanza we see her family tree
branching further and further out into the future. The values shown here are
that women were needed and expected to be the “soft and supple” peach tree of
familial life; as they married, made and raised babies, they honor their home
and family (760). By first blooming, then bearing fruit, then being the strong
tree holding up the rest of the family a woman was capable of fulfilling her
role in the family and in the world.
Other types of moral lessons can be
found in “CCXLV. She Bore the Folk” in which we are able to see the birth of a
tradition, the inherent goodness of hard work, and the roles of men and women
through the birth and life of Lord Millet. It’s important to note that this
work is also closely tied to the ancestry of the Zhou clan which also helps to
create a social cohesion of sorts (758).
The use of rhetorical devices is imperative in legend establishing
longer works such as “She Bore the Folk”.
The works created their own styles
effectively using a certain style of rhetoric in order to create cultural
adherence to acceptable values and
ideas; one important mechanism was enumeration. “Enumeration [is] the telling
of sequences of events in a straight forward narrative fashion” (758). By
utilizing rhetorical tools such as this authors and readers could mimic or
expound upon standards already set. Although not everyone was capable of
reading these works there was still a large significance to their oral power as
well.
These poems have lived on for over
1300 years and have influenced common people and prolific poets since their
creation, Ezra Pound being one of the most notable in contemporary times. These
works, some now nearing their 3000th birthday, are still alive both
in their native land and all across the globe; a true testament to their skill
and ability to give some insight into the past and the human condition.
Works Cited:
Puchner,
Martin Et. Al.. “Classic of Poetry” The Norton Anthology of World
Literature: Shorter Third Edition. Two-Volume Set. W.W. Norton. Ed. M Puchner. 2013. 756-766. Print.
“VI. Peach Tree
Soft and Tender”. Classic of Poetry. The Norton Anthology of World Literature:
Shorter Third Edition. Two-Volume Set. W.W. Norton. Ed. M Puchner. 2013. 760. Print.
“CCXLV.
She Bore the Folk”. Classic of Poetry. The Norton
Anthology of World Literature: Shorter Third Edition. Two-Volume Set. W.W.
Norton. Ed. M Puchner. 2013.
756-766. Print.
No comments:
Post a Comment